This makes sense because we’re in the key of G major and there’s nothing unusual about the harmony. Moving on, the guitar soloing you hear in “Gravity” is played in the G major pentatonic scale. You don’t need to learn everything John played. I tend to stick with these parts when I play the song. I worked out a few variations by listening to the recording and viewing the tab. John improvises over the chord changes and doesn’t seem to play the same thing twice. On C, I’m thinking C6 (or Am) and a first inversion of a C chord in “G form”. I like to visualize G major pentatonic pattern 2 and 3. These parts also make use of notes that all fit into the G major pentatonic scale, so you can think of them that way. The G chord is embellished with a 6th and 2nd. John is tapping into his bag of R&B and Hendrix licks to play around the chords. Let’s take a closer look at the rhythm part.
Then there’s a lead guitar that I’ll get to in a moment.
John added a rhythm guitar track that plays bits and pieces of the chords along with some embellishments. His bass player takes care of the root and his organ player sustains the rest of the chord. Now, John Mayer doesn’t actually play the C chord this way. You could think of C6 as an A minor chord with a C in the bass position. |G / / / / / | / / / / / / | C / / / / / | / / / / / / |īut, there’s still an A note present in the C chord. These are now chords I and IV in the G scale. You clearly hear C played on the bass guitar.
Once the rest of the instrumentation comes in, the chord change is G to C. You can tap your foot the same way, or you can tap every three beats. That means each measure contains 6 eighth notes. Instead of being in the common time signature of 4/4, this song is in 6/8. We need to stop right here and discuss the time signature. These are chords I and ii in the G scale. It sounds like the organ I hear at the very beginning of the song plays the chords G and Am.
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